From oversexualization and being the neutered best friends to complete invisibility, people of color are often denied the multidimensional agency of their white queer counterparts.
There are characters here and there, but very few series are designed or centered around non-white queer folk. Additionally, people of color are rarely afforded the opportunity to head an entire program. Who wants to see that, right? Here, we’re going to acknowledge series germane not only to Queer people of color but, by proxy, to people in the LGBTQ community more broadly.
Noah’s Arc was the first scripted television show for the newly cemented, queer-focused network, Logos. It premiered in 2005, right after George W. Bush used his opposition to gay marriage to win the 2004 presidential election. Noah’s Arc redefined the way we tell stories of non-normative queer people.
Created by Patrik-Ian Polk, an openly gay black film director and writer, Noah’s Arc followed the lives of four queer men of color: Noah, a sensitive writerly type working in Los Angeles as a screenwriter; Ricky, a promiscuous Latinx man who owned a clothing boutique on Melrose; Alex, a femme, married HIV/AIDS educator who served as the comedic center; And Chance, a stiff, elitist by-the-books economics professor with a blended family.
The series showed how they navigated love, career and friendship through the prism of their sexuality and the experiences it both afforded and kept from them. It touched on gay marriage, othering, being denied employment, the rigid world of Hollywood, straight-identified men who sleep with men, toxic masculinity, the Continue reading “How Queer POC are Represented in Media”