TV Shows

How TV has made us all gayer

In American television today, shows like Marvel’s Runaways, Orange is the New Black, Modern Family and One Day at a Time are simply considered good TV. They’re full of complex characters with dynamic, well-developed storylines that are frequently shown to be the moral backbone of their show.

However, The Broadcast Standards and Practices Board would have once considered these shows highly indecent for the presence of openly gay characters. In fact, in 1997 Ellen DeGeneres threatened to quit the sitcom “Ellen” after ABC issued a parental advisory before airing an episode simply because DeGeneres’ character jokingly kissed her best female friend.  The producers at ABC defended their position claiming, “the promise we have made to our audience is to provide them with as much information as possible so they can decide what is appropriate for their children to watch.”

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This aversion to homosexuality and homosexual conduct has been ingrained in the media since its conception. Time Magazine expressed disdain for homosexuality in 1966 when it published an essay titled “The Homosexual in America” claiming homosexuality “deserves no encouragement, no glamorization, no rationalization, no fake status as a minority martyrdom, no sophistry about simple differences in taste-and, above all, no pretense that it is anything but a pernicious sickness.” Even the American Psychology Association included homosexuality in its Diagnostic and Statistical Manual of Mental Disorders (DSM) until 1973.

Naturally, during this time the percentage of gay, lesbian and bisexual people seen on television was practically nonexistent, forcing heartthrobs like Rock Hudson and Tab Hunter to conceal their sexual orientation to ensure the success of their careers.

However, today DeGeneres, Samira Wiley, Neil Patrick Harris and Keiynan Lonsdale are all successful, highly popular television figures who make no attempt to hide their sexual orientation. This shift toward acceptance of homosexuality is reflected in a recent Pew Research Center poll that showed 62% of Americans support same sex marriage as opposed to the 27% who supported it in 1996. Since then, same-sex marriage has become legal in all 50 states.

So, what is causing this dramatic shift in opinions, visibility and acceptance of homosexuality and homosexual people? One answer is the prevalence of gay, lesbian and bisexual people in the media.

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According to a recent study of college students, an increase in exposure to gay, lesbian and bisexual people in media enables groups with opposing positions to Continue reading “How TV has made us all gayer”

Marvel's runaways · TV Shows

“We’re murderers but we feel badly about it” Recap: Runaway’s “Rewind” 1×2

Writing these recaps has afforded me the ability to really sit with the content. Typically, I get some snacks, a cup of tea and binge three episodes in a single sitting. But Marvel’s Runaways deserves a little more attention. This show, which has an indisputably dark plot, is lightened through witty comments and relatable themes (loss, disappointing your family, rebellion.)

The second installation of Marvel’s Runaways, titled “Rewind”, begins immediately after Molly’s cellphone light disturbed the end of PRIDE’s meeting. The kids are fleeing the basement cathedral and despite just having witnessed their parents performing some weird ritualistic magic, still manage to crack jokes. (If I saw my parents in blood red robes sacrificing an innocent girl, I definitely think I’d just be crying in a corner but hey everyone copes differently.) 

 

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Luckily, the kids manage to escape before their parents notice (thanks to Molly’s superhuman strength) and are able to hoodwink them into believing they were just playing an innocent game of Twister.

Continue reading ““We’re murderers but we feel badly about it” Recap: Runaway’s “Rewind” 1×2″

Marvel's runaways · Recap · TV Shows

Feminism and secret societies in Marvel’s Runaways (Premiere Recap)

For the last few weeks, my parents have been telling me to watch the new “Marvel’s Runaways.”  I was originally hesitant because my dad has questionable taste in entertainment. When he’s not watching action movies (whose fight scenes make up roughly 3/4 of the plot) he’s binging on British crime dramas or, believe it or not, contentedly watching generic heterosexuals fall for each other in rom-coms.

Scroll to the bottom and hit continue reading to skip right to the recap!

However, I’ve had 13 days off work for Christmas break and there’s only so many cooking shows that I can consume in a given day. (I’ve heard so many fancy terms lately that I’m pretty sure I’m a Master Chef now. That’s how it works right?) Anyway, I decided to take a risk and watch Marvel’s Runaways on Hulu.

Let me preface this recap by admitting that I absolutely love teen dramas. The angst of One Tree Hill essentially ran through my veins all throughout high school and the loveable stupidity of Pretty Little Liars carried me into adulthood!

In fact, the plot of Runaways is somewhat similar to the basic premise of Pretty Little Liars. A group of physically attractive friends, from various distinctive social circles, “break up” following the death of their friend, Amy. The characters in Runaways even fit similar Mean Girlesque tropes.

You have Chase Stein, “the jock” (just like Emily Fields), Karolina Dean, “a church girl” (dead ringer for Spencer Hastings), Nico Minoru, an introverted goth, (anyone recall Aria Montgomery’s pink hair?). Also in the main cast are Molly Hernandez, an adopted, all around positive character, Gert Yorkes “an insufferable social justice warrior” and Alex Wilder, the stereotypical nerd.

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Now that we’ve made our introductions, let’s get to the recap! Continue reading “Feminism and secret societies in Marvel’s Runaways (Premiere Recap)”