General

Why I’m trying to love my mental disorder

Imagine this.

Your entire body is submerged in water. Ice cold waves are crashing over your head, forcing your torso downwards. The strength of the tide is causing your muscles to ache with exhaustion. You’re barely able to swallow a breath before the next waves comes. You’re absolutely certain you’re minutes from death.

Then someone manages to throw you a rope.

You look up. Your family is waving frantically from the shore, your friends desperately pleading with you to take the rope into your hands. Relief begins to flood your veins. If you just grab it, then you can pull yourself to warm, safe land. You extend your arm, realizing that this is your one chance to escape the torment. But then…

“What if the rope snaps and I end up worse than I am now?” “Can I even make it all the way to shore?” “Are those really my loved ones or are they trying to trick me?” You recoil and drop your outstretched hand. The rope sinks. And you continue to thrash desperately in the water.

For me, living with Obsessive Compulsive Disorder (OCD) can feel a lot like choosing to drown. I can see that there is a way to escape the endless onslaught of thoughts, but sometimes I just can’t seem to grab the rope.

Since I wasn’t diagnosed with OCD until I was 24, I really struggle to determine whether my behavior is genuine or the result of an obsession. As a child, I experienced your stereotypical OCD symptoms (repeated actions, methodical behavior, counting) but, as I’ve gotten older, the vast majority of my symptoms have shifted internally.  Now, I present as a perfectly well adjusted person who can laugh, smile and work a room all while secretly engaging in my compulsions. 

Most of my friends are shocked when I tell them about my OCD. While they knew I had a tendency to fixate and had difficult dealing with change, my messiness seemed to preclude the possibility of actually having a disorder.  [Fun fact, not every person with OCD cleans compulsively or fears germs…we’re not all Emma from Glee]

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While some of my OCD does present in a visible manner (like having to walk in a specific way or laying out my clothes at night in the order that I put them on in the morning), I predominately deal with something called “Pure O.” It’s essentially OCD without the noticeable behavioral modifications. For instance, in high school I had a phobia of throwing up and all of my compulsions were centered around abating this fear.

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TV Shows

7 Best Bisexual Characters on TV

“Nobody is actually bisexual.” “Bisexual people are just not ready to accept that they’re gay.” “People are only bisexual now because it’s cool.” Unfortunately, these are real arguments that far too many bisexual people have been forced to endure. 

Bisexual people are often confronted with discrimination from both members of the LGBTQ community and the heterosexual community.

We have to embrace our bisexual sisters, brothers and non-binary relatives in order to build a genuinely inclusive community. So, here are 7 of my favorite bisexual characters on TV!

1) Rosa Diaz, Brooklyn Nine-Nine

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This bad ass detective came out as bisexual in 2017 and all the queer girls swooned. While Rosa’s sexuality was immediately accepted by her coworkers, her family wasn’t as understanding. Both Rosa’s mother and father insisted that her bisexuality wasn’t real and that she’d end up married to a man in the end. Despite loving their child deeply, Rosa’s parents couldn’t understand the concept of choosing to be with a woman if you could be with a man.

2) Rich Dotcom, Blindspot 

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The TV show Blindspot is quickly becoming one of my favorites (and it’s not just because I find Jaimie Lauren Alexander stunningly beautiful.) The plot is riveting, the characters are diverse and sexual orientation isn’t seen as a big deal. This is most noticeable in the portrayal of Rich Dotcom, a notorious criminal, who is openly attracted to both men and women. When he’s not hitting on Jane Doe, Alexander’s character, he’s flirting with FBI agent Kurt Weller. Rich makes no attempt to obscure his sexual orientation and openly discusses his escapades regardless of who’s around. He’s unapologetically bisexual and I’m here for it.

3) Kat Sandoval, Madam Secretary 

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Sara Ramirez, who recently came out as bisexual herself, is no stranger to queer characters. She played Callie Torres on Grey’s Anatomy and now assumes the role of Kat Sandoval in Madam Secretary. Kat is a strong, openly bisexual woman who refuses to be limited by gender binaries. In fact, Ramirez says she hopes her character can “continue normalizing, strengthening, and celebrating these types of inclusive outcomes in the world.”

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Movies

How A Simple Favor Delivers on Queer Representation

I wrote a blog post earlier in the summer about how Ocean’s 8 was the gayest movie of the year, but I was wrong. I was so wrong. A Simple Favor is the gayest movie of the year.

Not only did this movie deftly navigate the fine line between comedy and suspense, it actually delivers on queer representation. Unlike other movies that hinge their promotions on queerbaiting (*cough* pitch perfect *cough*), A Simple Favor doesn’t shy away from depicting the sexual tension between Stephanie (Anna Kendrick) and Emily (Blake Lively).

Their chemistry is evident from the second the pair meet. Emily, sporting a three piece suit, walks in slow motion toward Stephanie, whose reaction is literally the definition of gay panic.

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It doesn’t take long for Stephanie and Emily to develop a close relationship that is laden with heavy flirtation and intense eye contact. (To be honest, if Blake Lively called me baby that many times in a 15 minute period while sipping a martini, then I would have literally burst into flames.) 

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religion

Blaming the gays won’t end the Catholic sex abuse scandal

Pedophilia and homosexuality are not the same thing. Should I say it louder for those in the back? Pedophilia and homosexuality are not the same thing. I know this may come as a real shock if you’ve been listening to conservative news outlets lately, but it’s true. Most pedophiles don’t even experience any sexual desire for adults, but for those who do, the vast majority identify as heterosexual. 

Unfortunately, with the recent allegations of sex abuse within the Catholic church, this outdated argument has resurfaced. “It is time to admit that there is a homosexual subculture within the hierarchy of the Catholic Church that is wreaking great devastation in the vineyard of the Lord,” wrote Bishop Robert Morlino in a letter to the Diocese of Madison, Wisconsin.

Really? You can’t do any better than the classic “blame the gays” excuse?

For decades, Bible wielding pastors have blamed natural disasters and terrorist attacks on the growing acceptance of LGBTQ people. These arguments are usually so absurd they’re almost humorous, but I refuse to laugh now. With more than 1,000 children reporting that they were molested by hundreds of Roman Catholic priests in just six Pennsylvania dioceses, we must contest all claims that this is a “homosexual problem.”

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As one America magazine writer explains, “using an abuse and accountability scandal to scapegoat Catholic queerness is not okay.” In fact, blaming homosexuality for sex abuse just enables the church to avoid addressing the actual problem. Attributing this issue to those evil, inherently disordered gays, is a far easier pill for certain religious people to swallow than confronting the fact that their institution has been complicit in truly horrific crimes and requires systemic change.

I personally witnessed the effectiveness of this destructive narrative last week. I have to be vague for the sake of privacy, but I will say that I was in a professional setting when

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TV Shows

How Timeless gave a voice to the LGBT community, POC and women

Writers on NBC’s Timeless could have easily allowed Agent Christopher, a senior Homeland Security field agent, to become a one-dimensional character. It’s something we’ve seen a hundred times: a brazenly confident leader, capable of making the tough calls until it comes to his own wife and kids. [Here’s looking at you Oliver Queen]. Agent Christopher is just one power pose away from falling prey to classic stoic white male trope…except she’s an Indian-American woman.

That’s right.

The show’s boss is a middle aged lesbian of color who is in a loving, interracial marriage with a black woman, Michelle, and has two children: Mark and Olivia.

LEsbian.gifSince the show’s conception, this time traveling drama has been intent on highlighting voices that are frequently overlooked in the history books. To rectify this problem, the show’s second season intentionally placed a strong emphasis on telling the stories of people of color and women. Co-creator, Shawn Ryan, addressed their desire to spotlight these hidden figures by saying, “so much of history as it’s taught revolves around powerful white men, and one of the things that was of great interest to us this year was to see if there was a way to explore history beyond that.”

In addition to learning about Wendell Scott, who became the first African American NASCAR driver to win a Grand National race in 1961, and Grace Humiston, a celebrated lawyer and famous New York detective who solved one of the highest profile disappearance cases in 1917, Timeless created a modern, beautiful queer storyline.

Typically, LGBTQ characters on TV are portrayed as young, white and unattached. In fact, according to the most recent data available on GLAAD’s 2016 and 2017 “Where Are We on TV” reports, 77% of queer characters on streaming originals were white and 72% of queer characters on broadcast and cable were also white. Focusing solely on the stories of queer white individuals is just as detrimental to societal progress as white feminism. It completely overlooks the difficulties unique to people of color and that’s a massive problem.

Luckily, Agent Denise Christopher is the solution.

Christopher.gifNot only is she a woman of color in a white male dominated field but she wasn’t forced to sacrifice her career in order to have a family. Agent Christopher was able to get the girl, the job and the respect of her employees. Essentially, she is the pinnacle of success for women, people of color and the LGBTQ community.

However, Timeless is careful not to gloss over the challenges that Agent Christopher was forced to overcome in order to earn her life.

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Movies

Ocean’s 8 is the gayest movie of the year, let’s make Ocean’s 9 even gayer

This weekend I saw Ocean’s Gay.

Oops.

I mean Ocean’s 8. (Although, maybe they should consider a name change…) This fourth installment of the Ocean’s franchise, featured a diverse all-female cast who showcased intelligence, bad-assery and, if you exist for homoerotic subtext like I do, lesbian love.

While (tragically) no character was openly gay, there was a near painful amount of sexual tension between Debbie Ocean (Sandra Bullock) and Lou (Cate Blanchett). [Slight spoilers ahead] From the second that Lou’s character is introduced, (in all her pant suit glory) she can’t seem to keep her hands off Debbie. In fact, after a ridiculously flirty exchange that occurs when the pair reunites after Debbie’s release from prison, Lou grabs her “friend’s” head and kisses it with a little too much passion. (Talk about muscle memory, right?)  

As the plot begins to unfold, Lou and Debbie’s storyline starts to parallel a classic heterosexual romance montage that’s frequently seen on the Hallmark channel. Ready?

Here’s Debbie slowly and suggestively eating eating her food. [Side note: shortly after this, Debbie refers to Lou as “baby” and the pair make quips about getting engaged. #ClassicUhaulLesbian]

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As the meal winds down, Debbie makes intense eye contact with Lou and insist on feeding her. You know, like all straight females friends do…. [Can we talk about the look of pure ecstasy on Lou’s face? There’s literally nothing good on that fork, girl. We know that’s not what you’re excited about.] 

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Here they are sitting exceedingly close together on a very, very large bench while Lou’s grip is obviously intended to frighten away possible male suitors. 

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Here’s Lou explaining how she easily seduced Debbie to their wildly confused friend. 

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And here’s Lou looking cocky AF the morning after (which I’m sure she earned.) 

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All joking aside, there are so many hints throughout the film that Debbie and Lou are way more than platonic friends. They refer to each other as “partners,” routinely speak less than an inch apart and clearly share a deep, affectionate bond. At one point in the movie Debbie literally says, “I don’t want a him, I want a her.”

Continue reading “Ocean’s 8 is the gayest movie of the year, let’s make Ocean’s 9 even gayer”

religion

Was Jesus Christ gay?

We all know that Jesus Christ, the son of God, hung out with multitudes of men, spent nearly all his time with “sinners” and had an affinity for rainbows. But was Jesus Christ a member of the LGBTQIA+ community?

According to several theologians, the answer is a resounding yes.

Dr. Reverend Bob Shore-Goss, openly gay pastor and author of Queering Christ, argues that Jesus’ rejection of gender codes alone is proof of his queerness. He claims that since there was no term for homosexuality in ancient times, the fact that Jesus did not ascribe to the rules of his culture implies a subversion of heteronormativity.

In addition, Shore-Goss believes that Jesus had a homoerotic relationship with the disciple he called “beloved.” [While this disciple is never named, it’s widely believed to be John.] In an interview with Vice, Shore-Goss elaborates on his theory by describing a particularly personal exchange between the two men just before Jesus’ death.

“The beloved disciple is lying on the chest of Jesus at the last supper and is supposedly in his inner tunic,” says Shore-Gross. “[This] is what we would call underwear today. It’s a very intimate gesture, and it’s a special gesture of affection between the two.”

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(Jesus laying half naked with another man at dinner seems pretty gay to me, but what do others think?) 

Theologian Theodore Jennings, author of The Man Jesus Loved, also agrees that Jesus indisputably had relations with men as evidenced by the intimate biblical descriptions of John. Aside from Lazarus, John is the only one ever referred to as “beloved” by Jesus. (Not too many platonic friends call each other beloved).

Gerard Loughlin, a queer theologian and religious scholar, takes Jesus and John’s relationship even one step further in his book Queer Theology: Rethinking the Western Body. He argues that Jesus and John were married and the famous parable, the Wedding Feast at Cana (John 2:1-11), is actually about their gay wedding. (Now wouldn’t that be quite the twist for the religious conservatives? They’d all have to end their marriages, repent and become gay themselves!) 

Shockingly, this theory was actually quite common during ancient times. Its popularity was perpetuated by the apocryphal Acts of John, which claim that John broke off his engagement to a woman in order “bind himself” to Jesus. 

In fact, the wide spread belief of Jesus and John’s queerness is well documented in surviving art from that time period.

In The Calling of St. John (12th century), the artist depicts two scenes: Christ coaxing John away from his female bride and John resting his head upon Jesus’ chest. Jesus, in turn, cups the chin of his “beloved” which, in artistic convention, is used to indicate romantic intimacy.  The Latin reads: “Get up, leave the breast of your bride, and rest on the breast of the Lord Jesus.”

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John the Apostle resting on the bosom of Christ,” Swabia/Lake Constance, early 14th century. Photo by Andreas Praefcke

But that’s not the only artistic display of Jesus and John’s affection for each other.

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TV Shows

How TV has made us all gayer

In American television today, shows like Marvel’s Runaways, Orange is the New Black, Modern Family and One Day at a Time are simply considered good TV. They’re full of complex characters with dynamic, well-developed storylines that are frequently shown to be the moral backbone of their show.

However, The Broadcast Standards and Practices Board would have once considered these shows highly indecent for the presence of openly gay characters. In fact, in 1997 Ellen DeGeneres threatened to quit the sitcom “Ellen” after ABC issued a parental advisory before airing an episode simply because DeGeneres’ character jokingly kissed her best female friend.  The producers at ABC defended their position claiming, “the promise we have made to our audience is to provide them with as much information as possible so they can decide what is appropriate for their children to watch.”

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This aversion to homosexuality and homosexual conduct has been ingrained in the media since its conception. Time Magazine expressed disdain for homosexuality in 1966 when it published an essay titled “The Homosexual in America” claiming homosexuality “deserves no encouragement, no glamorization, no rationalization, no fake status as a minority martyrdom, no sophistry about simple differences in taste-and, above all, no pretense that it is anything but a pernicious sickness.” Even the American Psychology Association included homosexuality in its Diagnostic and Statistical Manual of Mental Disorders (DSM) until 1973.

Naturally, during this time the percentage of gay, lesbian and bisexual people seen on television was practically nonexistent, forcing heartthrobs like Rock Hudson and Tab Hunter to conceal their sexual orientation to ensure the success of their careers.

However, today DeGeneres, Samira Wiley, Neil Patrick Harris and Keiynan Lonsdale are all successful, highly popular television figures who make no attempt to hide their sexual orientation. This shift toward acceptance of homosexuality is reflected in a recent Pew Research Center poll that showed 62% of Americans support same sex marriage as opposed to the 27% who supported it in 1996. Since then, same-sex marriage has become legal in all 50 states.

So, what is causing this dramatic shift in opinions, visibility and acceptance of homosexuality and homosexual people? One answer is the prevalence of gay, lesbian and bisexual people in the media.

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According to a recent study of college students, an increase in exposure to gay, lesbian and bisexual people in media enables groups with opposing positions to Continue reading “How TV has made us all gayer”

Books

5 queer characters in the Harry Potter universe

We all remember the iconic moment when J.K. Rowling stunned crowds at Carnegie Hall in 2007 by admitting that she’d always perceived Albus Dumbledore, the wisest and most powerful man in the wizarding world, as gay. In the proceeding months, J.K. sustained hefty criticism from far-right, religious leaning people. They claimed her admission of Dumbledore’s sexuality was an attempt to indoctrinate children with the “gay agenda” by normalizing a sinful and disordered disposition. It was simply too liberal. Now, nearly 11 years later, J.K. is under fire once again… except this time it’s for not being liberal enough.

A few weeks ago, David Yates, director of Fantastic Beasts: The Crimes of Grindewald, revealed that Dumbledore’s sexuality would not be explicitly explored in the upcoming film. Many fans viewed this as blatant queer erasure and were rightfully infuriated by the avoidance of their love story.  [Any person who has read Harry Potter and the Deathly Hallows understands how crucial Dumbledore’s feelings for Grindewald were in the development of the plot].

However, in an attempt to reverse this most recent erasure, I am drawing attention to five possible queer characters that already exist in the Harry Potter universe! (Besides Albus Dumbledore, of course) 

1) Charlie Weasley:

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First on our list is the second eldest of the seven Weasley children, Charlie. Buff, beautiful, nicely tanned and incredibly well-liked, Charlie wouldn’t need amortentia to ensnare fellow witches or wizards. During his Hogwarts years, Charlie was the epitome of popular. He was both a prefect and the captain of the Gryffindor Quidditch team. In fact, his prowess as a seeker could have landed him a spot playing for England. However, Charlie never seemed interested in following in his parent’s footsteps by being fruitful and multiplying (over and over). Instead, shortly after graduating, he left for a dragon sanctuary in Romania. While there, he developed strong familial ties to friends but never married, had no children and seemed to lack any romantic or sexual desire.

According to J.K. Rowling, Charlie is “just more interested in dragons than women” Charlie is way more likely to be found chilling with a Hungarian Horntail than any partner. Even Rita Skeeter, the toxic daily prophet reporter, speculates about his decision to remain alone in her somewhat recent column on the 2014 Quidditch World Cup. She writes, “ Charlie, (dragon wrangler, still unmarried – why?)” 

However, J.K does an incredible job of portraying his identity as normal and healthy. He doesn’t need to be married, he doesn’t need to have a romantic interest for his life to be full and valid.

However, canonically labeling Charlie as asexual and aromantic would have been incredible for LGBTQIA+ visibility.

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web series

A Christian, Gay Positive Lesbian Love Story

Is it possible for a gay person to be fully self-actualized while ascribing to the Christian faith? Is the phrase “gay Christians” inherently oxymoronic?

The Faith Diaries, a web series spin off of Lifetime’s “UnREAL” expertly challenges this dichotomy between Christianity and homosexuality. The series begins when Faith, a deeply religious woman, moves to West Hollywood with her more than best friend, Amy. These two women were raised in “God’s country” and lacked exposure to anything other than traditional, heteronormative relationships.

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This type of “God fearing” upbringing is common in the United States and up to 85% of lesbian, gay and bisexual people report being raised in a religion that is “homonegative.”  The natural solution for many LGBT individuals is to either abandon their faith or to suppress their sexual orientation. The Faith Diaries refuses to accept that Christianity and homosexuality are mutually exclusive.

Breeda Wool, who plays Faith, describes the series to Out Magazine as “a story about one person’s relationship to God and their relationship to love and discovering that those two things are not at odds.” This series is unique because neither Christianity nor homosexuality is portrayed negatively. Far too often, mainstream media treats “religion as a problem, and only as a problem” while most Christian programming refuses to show homosexuality as natural. However, The Faith Diaries manages to explore Christian themes, such as forgiveness and love, without negating the importance of accepting your true self.

When Faith and Amy first arrive in Hollywood they are two reserved “simple country girls” struggling with internalized homophobia. Neither woman can even utter the term “gay” let alone refer to the other as “girlfriend.” They were conditioned to view homosexuality as sinful and any expression of same-sex love makes them deeply uncomfortable.

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As the couple spends more time in Hollywood, they become infatuated with the freedom and vibrancy of the culture. “It’s like I’ve been living in this black and white world,” says Amy. “Now we’re out here and everything is in color.” Unfortunately, Amy experiences a kind of sensory overload that causes her to lose sight of her strict morality. She falls prey to the temptations of the big city and begins a relationship with another woman behind Faith’s back.

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