web series

A Christian, Gay Positive Lesbian Love Story

Is it possible for a gay person to be fully self-actualized while ascribing to the Christian faith? Is the phrase “gay Christians” inherently oxymoronic?

The Faith Diaries, a web series spin off of Lifetime’s “UnREAL” expertly challenges this dichotomy between Christianity and homosexuality. The series begins when Faith, a deeply religious woman, moves to West Hollywood with her more than best friend, Amy. These two women were raised in “God’s country” and lacked exposure to anything other than traditional, heteronormative relationships.

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This type of “God fearing” upbringing is common in the United States and up to 85% of lesbian, gay and bisexual people report being raised in a religion that is “homonegative.”  The natural solution for many LGBT individuals is to either abandon their faith or to suppress their sexual orientation. The Faith Diaries refuses to accept that Christianity and homosexuality are mutually exclusive.

Breeda Wool, who plays Faith, describes the series to Out Magazine as “a story about one person’s relationship to God and their relationship to love and discovering that those two things are not at odds.” This series is unique because neither Christianity nor homosexuality is portrayed negatively. Far too often, mainstream media treats “religion as a problem, and only as a problem” while most Christian programming refuses to show homosexuality as natural. However, The Faith Diaries manages to explore Christian themes, such as forgiveness and love, without negating the importance of accepting your true self.

When Faith and Amy first arrive in Hollywood they are two reserved “simple country girls” struggling with internalized homophobia. Neither woman can even utter the term “gay” let alone refer to the other as “girlfriend.” They were conditioned to view homosexuality as sinful and any expression of same-sex love makes them deeply uncomfortable.

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As the couple spends more time in Hollywood, they become infatuated with the freedom and vibrancy of the culture. “It’s like I’ve been living in this black and white world,” says Amy. “Now we’re out here and everything is in color.” Unfortunately, Amy experiences a kind of sensory overload that causes her to lose sight of her strict morality. She falls prey to the temptations of the big city and begins a relationship with another woman behind Faith’s back.

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