From oversexualization and being the neutered best friends to complete invisibility, people of color are often denied the multidimensional agency of their white queer counterparts.
There are characters here and there, but very few series are designed or centered around non-white queer folk. Additionally, people of color are rarely afforded the opportunity to head an entire program. Who wants to see that, right? Here, we’re going to acknowledge series germane not only to Queer people of color but, by proxy, to people in the LGBTQ community more broadly.
Noah’s Arc was the first scripted television show for the newly cemented, queer-focused network, Logos. It premiered in 2005, right after George W. Bush used his opposition to gay marriage to win the 2004 presidential election. Noah’s Arc redefined the way we tell stories of non-normative queer people.
Created by Patrik-Ian Polk, an openly gay black film director and writer, Noah’s Arc followed the lives of four queer men of color: Noah, a sensitive writerly type working in Los Angeles as a screenwriter; Ricky, a promiscuous Latinx man who owned a clothing boutique on Melrose; Alex, a femme, married HIV/AIDS educator who served as the comedic center; And Chance, a stiff, elitist by-the-books economics professor with a blended family.
The series showed how they navigated love, career and friendship through the prism of their sexuality and the experiences it both afforded and kept from them. It touched on gay marriage, othering, being denied employment, the rigid world of Hollywood, straight-identified men who sleep with men, toxic masculinity, the Continue reading “How Queer POC are Represented in Media”→
Bisexual people are often confronted with discrimination from both members of the LGBTQ community and the heterosexual community.
We have to embrace our bisexual sisters, brothers and non-binary relatives in order to build a genuinely inclusive community. So, here are 7 of my favorite bisexual characters on TV!
1) Rosa Diaz, Brooklyn Nine-Nine
This bad ass detective came out as bisexual in 2017 and all the queer girls swooned. While Rosa’s sexuality was immediately accepted by her coworkers, her family wasn’t as understanding. Both Rosa’s mother and father insisted that her bisexuality wasn’t real and that she’d end up married to a man in the end. Despite loving their child deeply, Rosa’s parents couldn’t understand the concept of choosing to be with a woman if you could be with a man.
2) Rich Dotcom, Blindspot
The TV show Blindspot is quickly becoming one of my favorites (and it’s not just because I find Jaimie Lauren Alexander stunningly beautiful.) The plot is riveting, the characters are diverse and sexual orientation isn’t seen as a big deal. This is most noticeable in the portrayal of Rich Dotcom, a notorious criminal, who is openly attracted to both men and women. When he’s not hitting on Jane Doe, Alexander’s character, he’s flirting with FBI agent Kurt Weller. Rich makes no attempt to obscure his sexual orientation and openly discusses his escapades regardless of who’s around. He’s unapologetically bisexual and I’m here for it.
Not only did this movie deftly navigate the fine line between comedy and suspense, it actually delivers on queer representation. Unlike other movies that hinge their promotions on queerbaiting (*cough* pitch perfect *cough*), A Simple Favor doesn’t shy away from depicting the sexual tension between Stephanie (Anna Kendrick) and Emily (Blake Lively).
Their chemistry is evident from the second the pair meet. Emily, sporting a three piece suit, walks in slow motion toward Stephanie, whose reaction is literally the definition of gay panic.
It doesn’t take long for Stephanie and Emily to develop a close relationship that is laden with heavy flirtation and intense eye contact. (To be honest, if Blake Lively called me baby that many times in a 15 minute period while sipping a martini, then I would have literally burst into flames.)
A little over a year ago, I met a guy who made me experience something I had never felt for another man before – attraction.
I was shocked, bewildered, and confused. I had never in my life even considered the possibility of being anything but straight. And yet, here we were. After accepting that I was a bisexual male, I began wondering if I should start presenting differently.
I would frequently wonder, “How gay should I be acting?” “Is this gay enough?” “Is this too gay?”
This internal dialogue reminds me of a scene in Love, Simon.(Spoilers, if you somehow haven’t seen it yet) The main character, Simon Spier, is outed by a classmate during winter break. The morning he’s set to return to school, Simon finds himself trying on all sorts of different outfits, all while Googling “how to dress like a gay guy”.
Simon’s trepidation and uncertainty on how to present, is reminiscent of the struggles bisexual men face on a daily basis. For me, I wanted my outward expression to convey my interest in men without convincing people that I batted entirely for the other team. Considering my bisexuality made me acutely aware of how I walked, talked, dressed, and even wrote. It was extremely difficult to find a way to present as equally gay and straight.
As one America magazine writer explains, “using an abuse and accountability scandal to scapegoat Catholic queerness is not okay.” In fact, blaming homosexuality for sex abuse just enables the church to avoid addressing the actual problem. Attributing this issue to those evil, inherently disordered gays, is a far easier pill for certain religious people to swallow than confronting the fact that their institution has been complicit in truly horrific crimes and requires systemic change.
I personally witnessed the effectiveness of this destructive narrative last week. I have to be vague for the sake of privacy, but I will say that I was in a professional setting when